AVA HOMA LIVES IN TORONTO, CANADA. She is a Kurdish-Iranian-Canadian writer. Her collection of short stories, Echoes From the OtherLand was nominated for the 2011 Frank O’Connor International Short Story Award. Ava’s writings have appeared in various journals including the Toronto Quarterly,Windsor Review and the Kurdistan Tribune. She’s finishing work on a her first novel and teaches creative writing and English. For Still she wrote ‘A Rose For Raha’, a story about a Kurdish family trying to find their way in Canada.
Where did you grow up? I grew up in Eastern Kurdistan (Iran) and my parents still live there. Being a Kurdish woman, I was stigmatised both for my gender and my ethnicity. Nevertheless, living in a collective culture, I’d received unconditional love from my family and close relatives. Something I really miss here. I entered Canada on a student visa six years ago.
How do you describe yourself: Canadian, Kurdish, Iranian?I have a hyphenated identity: I am Kurdish-Iranian-Canadian. The truth is that I have been exposed to all these cultures and have picked and chosen the best in each as much as I have been able to. The unconscious part of my brain has done its own selection without my consent.
Your story ‘A Rose For Raha’ is about a Kurdish family now living in the free world in Canada, but still not being able to be free. Is this based on your own experience? If not, where did the inspiration come from?Writing fiction means feeling for others and writing about them. My family never left Kurdistan, but I have observed that the dictatorship mentality lasts long after the dictator is gone. I have observed that victims of oppression can sometimes turn into victimisers without being aware of it.
Female Artists’ Dressing Room (Rose) by Roelof Bakker
You selected a photograph with a dried yellow rose. Is the rose significant for you or in Kurdish/Iranian culture?It was hard to choose between all the inspiring and beautiful photos, but something drew me towards this rose, not because of a significant cultural connotation, rather because of the sense of attractiveness mixed with exhaustion. That’s the sense this photo instilled in me.
Did you enjoy collaborating with an artist?It was my first experience and a lovely, stimulating one. I look forward to more such collaborations.
How did you get into writing?It was in me from a very young age. I completed my first manuscript at grade 5: an animal story illustrated by my immature drawing. I followed my instincts to write despite the infinite cultural/economical obstacles. Now, I am hooked on the joy of writing.
Who/what was your greatest influence?I am constantly inspired by great people. I can mention two examples: Leila Zana, the female Kurdish leader who was imprisoned by the government of Turkey for ten years but never lost her strength and spirituality. She gives me hope as to what extent humans can be resilient.
Bahman Ghobadi, the award-winning Kurdish writer and director of A Time for Drunken Horse, Turtles Can Fly, Half Moon, and most recently Rhino Season. I believe he has served the Kurds in the best possible way. He is passionate, artistic, honest, talented, lovable, inspiring.
Your book of short stories, Echoes From the Other Land, explores the position of women in Iran. Are you active politically to improve women’s lives in Iran? Do you collaborate or work/write with women in Iran? Iranian women live under horrific laws that openly discriminate against them. For example, based on the law, they cannot leave the country or get a job without their husband’s permission. Yet, they are highly educated, strong, resilient, and ambitious. We work with each other, we support each other, we help each other.
What’s the most important thing you have learnt from life? No one can help me better than myself.
What are you working on at the moment? I am editing my completed manuscript: a novel tentatively titled Many Cunning Passages.